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December 2005 - £41,000 - £60,000

Using the three colours represented in the logo, the brief was to show three examples of team activity – cycling, rowing and volleyball.

Firstly, we had to source the right kit in exactly the right (pantone ref.) colour and then find the respective team players to take part; all of whom needed to be within a 15 mile radius due to the short length of autumnal working days.

The sequences incorporate highly choreographed, action packed scenes shot at varying speeds. The director Chris Beckles wanted to also create a marked contrast between the scenes and worked closely with the Gary Szabo at Red Post Production to enhance the respective colour treatments.

Director’s comment:

'It didn’t matter that the weather was overcast on one day and brilliant sunshine the next since there was no need for continuity between scenes.

The sunshine was wonderful for the rowing scenes, but we had to be quite inventive for the cycling sequences since at times the light was so poor it was almost impossible to shoot, especially at 50fps.

The volleyball scenes presented their own set of problems - like making 20 people look like a crowd - but thirty five disposable cameras all flashing over the action did the trick.' Chris Beckles

Colin Maguire , Creative Director Dept, Genesis Advertising

Ever noticed that when people work together they get better results?  

This was the first time that Genesis and Commercials Unlimited had worked together and it gave us the opportunity to get to know each other. CU put in a lot of prep work – visual treatments and the like – to confirm that we, the client and the director all had the same ideas in mind.

Our client had seen the final concept many times on paper, but Chris was able to understand and interpret the clients’ requirement whilst adding his own treatment and ideas, without losing what the commercial was about.

We, and more importantly our clients, are very pleased with the final outcome. The look and feel gets across the strong corporate branding and the idea of what 'Go for it' is all about i.e. working together for better results.

Colin Maguire
Dep. Creative Director

 

 

 

 Other News (Nov 2005)

New Animation directors.

I am pleased to inform you we have added two new directors reels to our web site.  Darragh O’Connell for classic 2D animation and Rory Bresnihan (ex Aardman) for model animation

 

November 2005 - £41,000 - £60,000 - (E57,000 – 84,000)

View the storyboard here

A slight change to the format of the Case Study this month as I have included the storyboard; this is because it’s a classic example of storyboard interpretation without deviation or alteration. The main priority was to ensure that the commercial maximised the brand logo and core identity and the brief was to ensure categorically, that this directive was followed to the letter. Such was the success of this strategy, sales increased by 200% after just two weeks on air.

It was a deceptively straightforward script that harboured a potential nightmare. The main thrust of the commercial was to re-create the set on the pack and get a cat – a cat identical to the one on the pack – to sit contentedly on the back of the sofa in exactly the same position. We found just the right cat only to learn that the cat on the pack was a composite of separate cat elements, so we weren’t entirely sure if such a pose was possible.  But with patience we did it – in time and in budget - with a lot of the credit going to Rupert the cat, his dedicated owner and wafer thin slithers of ham. Far from being a nightmare, it turned into a dream of a shoot.

Director's comment:

I like cats. Like me they don’t hurry, or get stressed or like a lot of unnecessary fuss. We knew it could be a long day…or maybe a short one… we simply didn’t know so we just got on with it. Rupert was the same, he was cool too and once he’d got the hang of it he posed beautifully over and over again. It was all about attention to detail. But relaxed, just how we like it.

Agency comment:

Rob Young , Joint Creative Director, Fox Murphy Advertising

Just a quick note to say how much we have appreciated your collective expertise, professionalism and patience throughout this project. You brought the storyboard to life superbly, and the resulting ad looks terrific.

Many thanks. You were a pleasure to work with.

Rob Young.

 

 

 

 

Other News

Recently completed or in production

 

Bradford Rejuvenation - Director Simon Devine
Holland and Barrett - Director Suki
Olli Cat food - Director Stan Peplinski
Royal Mail Stamps - Director Simon Devine
Invest Northern Ireland - Director Chris Beckles
James Villas Holidays- Director Laurie Castelli

 

 

New directors (Animation)

We are currently reviewing and increasing the number of animation directors on our roster and are pleased to announce that as of next month we will be uploading reels from Darragh O'Connell (Classic 2-D animation) and Rory Bresnihan (model animation).

Hoo Ha House update

Jo Marsden (company founder, producer and art director). Has the first of 27 books released (29th of September) entitled Hoo Ha house.

Synopsis A letter marked 'Urgent' arrives on the doormat: "The Hoo Ha House is scheduled for demolition!" What can be done to save the Hoo Ha House? An adventure ensues...will the lost manuscript detailing Lord Hoo Ha and his magical secrets which enable things to come to life be found in time? And if it is, will it be enough to prevent the waiting demolition gang from destroying the magic inside? Oh! What a Hoo Ha... Click here to go to the children's web site

An article on Jo was featured in The Times (Saterday 24th September) click here to read the article.

Click here to be notified when the latest case study is uploaded

 

September 2005 - Rubber Johnny

 

Re-edited from Blow Up to a 3 minute film with an improved music track)

Official Festival Selection

Raindance Film Festival

Halloween Film Festival;

Nominated for Fortean Times Award.

Cardiff Film Festival

Triggerstreet Film Festival

Winner of New Producers Alliance short film of the month for September.

Finalist at New Producers Alliance short film competition.

Selected for the Rough-cut film festival final 11th October 2005 at The Kick Bar (only 12 films selected)

Five-year distribution deal with 'Britshorts' & 'Shorts International'

Director's comment: Shot on 35mm over 2 days in derelict hotel adjacent to St. Pancras Station. 'I wanted to create a glossy seductive, well-crafted film that used only visuals with no dialogue to tell the story of a Japanese cowboy wanting to realise his fantasies.

This film works on many levels but remains simple and effectively while entertaining on an international level. Every detail was crafted; the mood, the art direction, the casting, costume and music with SFX adding greatly to the mix and twist to the story.

Click here to see more on Suki

 

 

September 2005 - Invisable day trailer

 

A concept trailer shot to promote this up and coming feature film.

www.invisibleday.com

Shot on Super 16mm as a one day shoot on location at Woodbridge near Ipswich (dressed to look like Maine, USA).

Director's comment:

This is a chilling supernatural thriller about a family who lose 24 hours of their lives; they go to sleep on Tuesday but wake up on Thursday.. "What the hell happened to Wednesday?"

'I wanted to create a trailer that looked like the real thing; a trailer for a movie about to be released that would also serve as a concept pitch aimed at investors.

The location and the art direction were crucial to make it feel like small town America. I then applied a strong storyline adding a layer of danger, of mood and music. Finally, the 'trailer style' voice over was all that it took to hit home with the tension. The cool thing is it worked, and an option has been agreed for the script in both LA and the UK that in 2006 will take Invisible Day into production with me as a writer/director.'

Click here to see more on Suki

 

 

Other News

August 2005 Web site relauch,

Featuring a new design, dedicated client’s area, reels by category and downloadable (pdf) showreel packs with embedded links to the directors’ work (very handy should you wish to email a director’s reel to your colleagues) and lots more. The beta version of this content driven site (although in its infancy and will continue to grow) is designed to offer enhanced navigation to relevant media.

If you have a particular requirement for a director (should the criteria be availability, industry sector, sync sound or style) we can search the archives of our 14 directors and build and email the sourced spots, prior to burn and dispatch. Agencies are finding this a unique time-saving service, removing the problem of sourcing the relevant material for client presentation.

 

Hoo Ha House

Jo Marsden (company founder, producer and art director). is currently creating a right old hooha and is featured on the front cover of this months Bookseller magazine launching a major multimedia property called Hoo Ha House. The first (generic) book comes out on the 29th of September, with a further 26 books to follow.

Hoo Ha House - The property has been taken up by Imagineire whose holding company, Imagination Holdings has formed a 'strategic alliance' with the multimedia company Galleon Holdings who have stakes in Hollywood animation company J. Christopher Entertainment and promotions company Croco. To find out more go to www.hoohahouse.com or order the book from Amazon

 

 

August 2005 - £41,000 - £60,000

 

A one day Super 16mm mute location shoot.

 

A school full of excited children, a limit to the working day and enough featured children to meet the criterion of the rhyme 'Mondays' Child'. Oh, and by the way, the budget will only afford a one day shoot and all the shoes, in various width fittings, have to fit perfectly.

 

There were no holds barred with the casting; it had to be - and was - spot on and everyone was delighted.

 

The shoot was carefully planned beforehand with an extremely helpful school in Enfield, North London providing the location, all the background children and the uniforms; except that something like 20 pairs of new trousers had to be shortened throughout the day…

 

Directors comment:

'Children are great to work with if you're one of them; it's a question of speaking the same language and feeling the same feelings - so I get tired, bored and hungry along with them. It's a long day. I don't get children to act, I get them to express their own reactions to a given situation. We talk things over.'

Click here to see more on Suki

July 2005

 

 

A one day Super 16mm mute location shoot

It's a very fine line between 'funny' and 'cringe'. Get it wrong and the cringe factor will haunt you forever, but get it right and you have a highly successful commercial. This concept could have been a recipe for such a disaster, but for the flair of the Director, the wisdom to get the casting right and for resisting the temptation to overplay it.

It took three lengthy casting sessions to finally be absolutely sure that the casting was spot on - Dad turned out to be the father who escorted his daughter to the casting session (Dad being the owner of a local pie and mash café) and had joined in purely to help his daughter out.

Needless to say that his daughter was so genuinely horrified by Dad's performance, she got the part of daughter too.

Working closely with a choreographer, we perfected Dad's moves and natural rhythms. He lived the part; he was that embarrassing Dad.

Two commercials were produced and were aired at either end of a commercial break. This enabled recall of the principle commercial and added greatly to the humour since the second commercial was entirely the girls' stunned and embarrassed reaction.

Director's comment. 'When Tony (Dad) danced it all clicked, it was hilarious; so I just had to keep it under control, play it straight and watch the timings. The choice of music was critical, so rather than have music of a bygone era ('Earth, Wind & Fire’ and all that), and bearing in mind that he was being 'hip' with the internet, we composed a suitable rap track for him to strut his stuff to.'

Click here to see more on Chris

June 2005 - £41,000 - £60,000

 

1 day mute 35mm bluescreen shoot plus 'X-ray' and CGI

Hugh Turvey pioneered a technique in coloured X-ray photography and Simon Devine implemented the transition to live action.

Each of the six scripts required live action 'X-ray' images with the subjects covering a fish swimming, bees buzzing, clocks ticking, an arm yo-yoing, letters landing and toast toasting.

Although there’s no problem X-raying inanimate objects, this was not possible with the bees, fish or human arm. Also, producing the animation as X-rays was out of the question due to the high degree of accuracy required, neither was it a practical solution.

The approach for ‘Fish’ was ingenious; we researched the bone structure of a sardine and found a larger, freshwater fish that was similar and shot live action footage of the fish swimming against bluescreen

Various key stage reference X-rays were taken of another fish (a herring) then the live action was used as the basis for conventional rotoscoping, providing the template the animation for finishing in CGI. The sound- design added greatly to the overall effect. ‘Post Box’ was produced entirely as key frame X-rays and CGI.

Click here to view the full Set of 6 commercials

 

 

Prior to affiliating with Commercials Unlimited, Laurie's work in the last 5 years has included commercials for brands such as AOL, The Daily Telegraph, Telefonica, Samsung Sony Playstation and Gordons Gin as well as non commercial projects including a Victimas del Terorismo commercial (Association for the Victims of Terrorism) featured below.

His experience in advertising began during a six year stint at BMPDDB where above all, the importance of good ideas was given pride of place. Whilst trying not to cultivate any particular style, Laurie aims to introduce an element of 'humanity' into every script. .

Whether it is humour or drama, dialogue or special effects, Laurie's approach is always to try and make an emotional impact by connecting to a real human emotion. Born in Spain and brought up in the UK by parents with Italian, Spanish and French roots, Laurie now divides his time between London & Madrid.

Laurie is no stranger to working in diverse markets, having shot in Kenya, Moscow, Dubai, Bulgaria, Prague, Athens, Madrid and London during the last year alone.

NB: This month's Case Study shows work directed by Laurie prior to his association with Commercials Unlimited.

 

 

 

 

Director’s Comment

"Being The Telegraph, this commercial was designed to promote its coverage of football in a less 'laddish' tone than one normally sees on TV.

The idea was to give the impression of the camera happening to stumble upon people as they enjoy their own private 'football moment'.

Click here to view

 

 

 

 

 

 

The ad features several situations, including offices, a kitchen, a canteen, a car-park etc. On a limited budget (£35,000 E49,000) the problem was how to fit a number of locations in to a very tight shooting schedule. The solution was to shoot the whole commercial at Shepperton Studios - not the stages, but throughout their complex of other buildings and facilities! Once we had made that decision, it was a question of adapting the scenes to fit the locations we could find." Laurie Castelli.

*Click here to view the full Showreel

 

 

 

 

 

 

 

 Directors Comment

"Even before the Al Qaeda train massacre in Madrid, Spain had lost nearly 1000 victims at the hands of the Basque separatist movement (ETA), and this piece was commissioned to commemorate the lives of those who have been killed.

Given the sensitive nature of the subject, not to mention the tiny budget, the whole production was moved from Madrid to Sofia in Bulgaria. By avoiding specific signs or indicators, all the locations pass as Spanish for the purposes of the film.

Click here to view the commercial

 

 

 

 

 

 

The 1 minute piece was shot on Super 16mm over a period of 4 days, often moving location 3 times in each day. All the cast are Bulgarian; but the names written on their foreheads are the authentic names of some of the many people whose lives are being commemorated."

*Click here to view the full Showreel

 

 

 

 

The Case Studies for April and May will focus on the launch of two Directors who are new to Commercials Unlimited. As you may not be familiar with their work, I have asked them to write a couple of case studies. Next month - Laurie Castelli

Director - Chris Beckles Chris has been directing since 1997; after a career as a competitive semi-contact kick boxer (with a European title under his belt) Chris graduated from Liverpool with a degree in graphics and went on to Watford College and a post grad diploma in advertising. Chris worked at some of London principle agencies as an Art Director but after ten years it was time for a change; this change was to directing full time.

He was nominated at both the BBC Short Film Festival and Cannes for his film ‘GOD’ and thereafter he shot a series of test commercials culminating in commercials for Equal Opportunities and Weetabix for Lowe’s. In 2001, Chris was invited by Trevor Beattie to be on the jury for the British Television Advertising Awards and after a year or so, set up his own production company ‘Aurora’ to develop commercials and film projects. A feature is currently being discussed with Channel 4 and for the past year Chris has been working extensively in Asia shooting commercials for Lowe Lintas and JWT Amsterdam.

 

 

 

Product: Freeport Lisbon 'Designer outlet

Title: Giant
Director: Chris Beckles

Directors Comment

The script called for several good looking giants walking through the streets of Lisbon. The plate shots was to be shot over two days, with the final studio day in London. Although the fixers in Portugal had done a great job, when the day came the lighting had changed, so chris had to rethink the look. He opted for shooting into the sun to add drama and a whole different style.

  Click here to view the commercial

 

 

 

 

 

"This meant that most of the locations had to change leaving the only option of shooting guerrilla style which was exciting yet nerve racking. The post guys from Absolute co-ordinated our 50/50 overlays for the CGI but halfway through matching the plate shots the studio flooded! Coping with bad weather is par to the course but not usually INSIDE the studio.

The technical aspects were extremely tricky and I love effects but only when they are subtle and treated with care. The crew had to constantly think about scale, movement, film speed etc. and our plate shots were so good, the pressure was on to match everything with the live action. The difficulty was in creating the right backgrounds for our giants to look natural; the last thing wanted was it looking like 'The Attack of the 50 ft Woman'." Chris Beckles

*Click here to view the full Showreel

 

 

 

 

 

 

 

 

Directors comment:

"This commercial ran as a generic promotional piece on flights and conferences worldwide for the Indian Tourism Board. Its aim was to promote a view of India that travelers and holiday makers would find both surprising and intoxicating i.e. not just the Taj Mahal. The client wanted to really focus on the flag throughout and weave the narrative around it.

 Click here to view

 

 

 

 

 

The actors were all street cast locals cast just a few days before each location shoot. The weather was very unpredictable with dust storms and flash floods but with a huge and experienced 'Bollywood' film crew to hand, there was always someone who knew how to swiftly get things moving again. This was by far the most challenging shoot I've ever worked on. The crew was amazing; no shot was too big or too difficult and without their positive attitude, many of the dream shots I'd envisaged would have fallen by the wayside. This is really their film. Chris Beckles.

 *Click here to view the full Showreel

NB: This month's Case Study shows work directed by Chris prior to his association with Commercials Unlimited. We hope that before very long this extremely satisfactory alliance will produce work that we can equally be proud of!

 

 

 

 

March 2005 - £200,000 - £250,000

 

 

 

This commercial was for a campaign to promote Toyota’s own Formula One Team web site for fans of the team.  It ran at on Eurosport.  The shoot took place over a week at the Paul Rickard Circuit in southern France, the test track home of Toyota’s racing team.

The footage for this spot was shot as part of a much bigger project to supply racing footage and promotional films of the seasons new cars and drivers for both Toyota an